Alec Soth is an American photographer based in
Minneapolis who is best known for his banal images of modern America. He is famous for his large-scale projects
from central America: Sleeping by the
Mississippi and Niagara. The photographs from these bodies of work
range from portraits to bleak landscapes in the tradition of road photography
made famous by the likes of Stephen Shore and Walker Evans. (Booth, Guardian,
2010)
I am interested in his Sleeping by the Mississippi work as an inspiration for my body of
work on The River Witham. In an
interview by Aaron Schuman for Seesaw online photography magazine, Schuman
suggests that this project he is trying to get away from overt sequencing and
away from any clear narrative. He
wonders if the viewer is meant to put the pieces together in their own
way. He asks Soth if he prefers the
images to looked at as a whole or as separate individual images. In his reply Soth stresses that the work
should be treated as a whole. I feels
that anyone can take a 'good' picture by accident, but very few people can put
together a great collection of images. (Schuman, Seesaw, 2004) Although the work contains images of some of
the most colourful characters he finds, Soth is not happy with it being
regarded as he was trying to suggest that it was more internal and
dream-like. Although it has documentary
characteristics, there are too many gaps for it to be documentary. He created his own vision of the river and
other photographers would create a different vision. (Schuman, Seesaw, 2004)
One of the main things that interests me about
this project is that many of the images do not feature the river at all. This is unlike my work for Assignment 2,
where the river features in every shot and is perhaps more narrative,
documentary. One of the aspects of the
Witham that has struck me is the way it was regarded as a sacred river by the
Iron Age Celts and, for similar reasons later in history, a whole series of
abbeys were built in the Witham valley.
In the same way that Alec Soth has photographed the river with few
actual images of it, I am inspired me to develop my body of work by leaving the
Witham itself and photographing the ruins and earthworks of the abbeys in a
link with the River's once sacred nature.
Booth, H. (2010) The Genius Behind Alec Soth's
Brighton Biennial Success [online] The Guardian Website. Available from http://www.theguardian.com/artanddesign/2010/sep/19/alec-carmen-soth-brighton-biennial
[Accessed 26.10.15]
Schuman, A. (2004) The Mississippi: an
interview with Alec Soth [online] Seesaw Online Photography Magazine. Available from http://www.seesawmagazine.com/soth_pages/soth_interview.html
[Accessed 26.10.15]
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